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  Praise for Cleo Coyle’s Coffeehouse Mystery #1 ON WHAT GROUNDS

  #1 Paperback Bestseller

  —Independent Mystery Booksellers Association

  “A great beginning to a new series…Clare and Matteo make a great team…On What Grounds will convert even the most fervent tea drinker into a coffee lover in the time it takes to draw an espresso.”

  —The Mystery Reader

  “The first book in Coyle’s new series is a definite winner! The mystery is first rate, and the characters leap from the page and are compelling, vivid, and endearing. The aroma of this story made this non–coffee drinker want to visit the nearest coffee bar.”

  —Romantic Times

  “A fun, light mystery. Recommended.”

  —KLIATT

  “[A] clever, witty, and lighthearted cozy. Cleo Coyle is a bright new light in the mystery horizon.”

  —The Best Reviews

  “Coffee lovers will delight in Clare’s tips on roasting, grinding, storing, and preparing the perfect cup of coffee (and using the grounds to tell the future). And her luscious recipes and captivating anecdotes about the important role of coffee in the history of civilization are a perfect accent to the rich blend of characters and plot that make On What Grounds such a satisfying mystery. This new series is off to a piping-hot start, and we can’t wait to see what new cases the author has percolating!”

  —The Barnes & Noble Review

  Berkley Prime Crime Books by Cleo Coyle

  ON WHAT GROUNDS

  THROUGH THE GRINDER

  LATTE TROUBLE

  MURDER MOST FROTHY

  THROUGH THE GRINDER

  CLEO COYLE

  BERKLEY PRIME CRIME,NEW YORK

  THE BERKLEY PUBLISHING GROUP

  Published by the Penguin Group

  Penguin Group (USA) Inc. 375 Hudson Street, New York, New York 10014, USA

  Penguin Group (Canada), 10 Alcorn Avenue, Toronto, Ontario M4V 3B2, Canada (a division of Pearson Penguin Canada Inc.)

  Penguin Books Ltd., 80 Strand, London WC2R 0RL, England

  Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)

  Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Group (NZ), Cnr. Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd.)

  Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

  Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  THROUGH THE GRINDER

  A Berkley Prime Crime book / published by arrangement with the author

  Copyright © 2004 by The Berkley Publishing Group.

  Cover art by Catherine Gendron.

  Cover design by Rita Frangie.

  All rights reserved.

  No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights.

  Purchase only authorized editions.

  For information address: The Berkley Publishing Group, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014.

  ISBN: 1-4295-2065-5

  BERKLEY

  Berkley Prime Crime Books are published by The Berkley Publishing Group, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014.

  The name BERKLEY PRIME CRIME and the BERKLEY PRIME CRIME design are trademarks belonging to Penguin Group (USA) Inc.

  Once again to Martha Bushko and John Talbot—with whipped cream and caramel syrup on top!

  When you are worried, have trouble of one sort or another—to the coffee house!…

  You could not find a mate to suit you—coffee house!

  You feel like committing suicide—coffee house!

  You hate and despise human beings, and at the same time you can not be happy without them—coffee house!

  —“To the Coffee House!”

  Viennese poet Peter Altenberg

  Contents

  PROLOGUE

  CHAPTER ONE

  CHAPTER TWO

  CHAPTER THREE

  CHAPTER FOUR

  CHAPTER FIVE

  CHAPTER SIX

  CHAPTER SEVEN

  CHAPTER EIGHT

  CHAPTER NINE

  CHAPTER TEN

  CHAPTER ELEVEN

  CHAPTER TWELVE

  CHAPTER THIRTEEN

  CHAPTER FOURTEEN

  CHAPTER FIFTEEN

  CHAPTER SIXTEEN

  CHAPTER SEVENTEEN

  CHAPTER EIGHTEEN

  CHAPTER NINETEEN

  CHAPTER TWENTY

  CHAPTER TWENTY-ONE

  CHAPTER TWENTY-TWO

  CHAPTER TWENTY-THREE

  CHAPTER TWENTY-FOUR

  CHAPTER TWENTY-FIVE

  RECIPES & TIPS FROM THE VILLAGEBLEND

  PROLOGUE

  SHE had to die.

  The Genius knew this and was absolutely fine with it. The problem, of course, was how.

  In the Genius’s view, almost any problem could be solved through study. So it was no surprise when the study of Valerie Lathem’s life yielded the solution to her death.

  The air on that pale November morning displayed an especially cruel bite, stabbing at cheeks, chins, and all other areas of exposed human flesh. Still, the Genius stood with the usual patience at the usual bus stop, pretending to wait for the usual bus. Reading the paper was usual enough, too, but the Times articles felt incomprehensible today, and the wait became interminable.

  When the twenty-seven-year-old woman finally emerged from her dingy brick apartment building, the Genius followed the pert face and slender figure, the shoulder-length retro flip hair the color of rancid butter, the black boots with heels too high, green cargos a size too small, and that cheap red leather jacket she’d purchased at SoHo Jeans the day before.

  With brisk steps, the woman followed Bleecker across Sixth Avenue, the wide, high-traffic chasm dividing modern Manhattan from the year 1811, when city fathers and their Euclidean plans for perpendicular streets were defied by village residents who refused to have their district’s twisted lanes made straight.

  For two hundred years, this winding web of cobblestone streets, narrow alleys, and secluded pathways has obeyed no logical pattern. The frosty air has been tinged with the acrid smell of logs burning on nineteenth century hearths. Gas lamps have been flickering near gated mews, hidden gardens, or sedate churchyards. And the sidewalks have edged not skyscrapers arranged in uniform grids, but a low-lying landscape of three-and four-story row houses, many now lodging offbeat boutiques, pricey bistros, and the occasional dark-paneled pub—all closed for business at this early hour.

  A corner on Hudson was the woman’s first stop, the site of a four-story Federal-style townhouse occupied for the last ten decades by the Village Blend coffeehouse. As she reached for the old brass handle, the beveled glass door swung wide, vomiting out three pubescent NYU students with a gust of roasting coffee.

  “Ah, yes,” whispered the genius, “that heavenly smell…”

  The earthy aroma drifted across the cobblestones on the crisp, fall air—a siren’s call of freshly frothed cappuccinos, w
arm pastries, anise biscotti, and bracing espressos. But entering the Blend was not an option. Not for the Genius. Not until the objective was achieved.

  “One push. Timed just right. One simple push.”

  Until then, there would be no cozy fireplace, no foamed milk, no buttery croissant. Across the street, the Genius shifted from foot to foot on the cold sidewalk, eyes peering through the Blend’s twelve-foot-tall front windows.

  Like trendy cattle, a dozen customers milled around the coffee bar counter. The woman placed her order with a lanky young man, waited a few minutes, then collected a paper cup from a petite brunette.

  At last, the door swung wide again. An enviable puff of aromatic steam rose from the cup when it hit the cold air. For a moment, Valerie Lathem’s snug green cargo pants paused on the sidewalk to touch her full lips to the edge of the lid. A shiver of delight followed, and the Genius struggled against a sharp memory of another place the woman’s lips had touched…that place on him…

  And on other men.

  For a moment, the Genius had trouble breathing. “One push. Timed just right…”

  Then the Slut continued her journey, hiking north and east, to Fourteenth and Broadway, where a wide public area of grass, tress, and benches formed Union Square Park.

  On Tuesdays, Thursdays, and Sundays, the wide concrete border to the west of the park was reserved for metered parking. On Mondays, Wednesdays, Fridays, and Saturdays, however, cars were banned and an open-air farmer’s market appeared.

  Regional growers from New Jersey, Long Island, and upstate New York packed the white-tented stands with produce. The Genius trailed the Slut as she visited table after table, purchasing organically grown apples and carrots, three kinds of homemade jams, a jar of natural honey, and finally a fresh-baked loaf of whole wheat bread. These were intended for the Slut’s elderly grandmother, whom she visited uptown every Saturday—most likely in an effort to cinch some share of inheritance.

  The R train had been the Slut’s transport of choice for the last two Saturdays, and when she headed toward the subway stairs again today, the Genius allowed a small exhale of relief.

  Below ground, the northwest entrance provided a bank of Metrocard machines and a “token booth”—which hadn’t sold tokens since 2003. The Slut had already purchased her Metrocard, so she strode across the black spotted concrete floor, past the vending machines to the turnstiles, and swiped the bright yellow rectangle through the silver slot.

  An almost imperceptible click sounded as the machine deducted the cost of the ride from the card. Then, with a ker-chunk, ker-chank, the Slut pushed through the metal spider and strode toward the stairwell on the left, leading down another level to the Broadway line’s Uptown platform.

  After waiting thirty seconds, the Genius swiped a pre-purchased Metrocard, just as the Slut had. But there was no click. The little screen embedded in the silver turnstile arm read STOP: PLEASE SWIPE YOUR CARD AGAIN AT THIS TURNSTILE.

  The Genius swiped.

  The STOP remained.

  On a weekday at such an early hour, this station would be packed with office workers and college students, but on a Saturday, riders were scarce. Two turnstiles away, the only other riders at this entrance—a middle-aged woman and two little girls—laughed and giggled as they swept through and away, toward the Downtown stairwell to the right.

  The Genius stared straight, trying not to call attention. Sweaty palms made the plastic moist. Slowly came a distant rumbling.

  A train was coming. Uptown or down? Unable to tell, the Genius brushed the card across a coat sleeve, and swiped again.

  The green GO appeared.

  Go! Go! Go!

  The Genius bolted through the spider arms then flowed down the stairs like liquid. Feet on the platform, the Genius leaned over the tracks. At the far end, near the mouth of the tunnel, the reflection of a headlight beam stretched along the tiled wall like the advancing movement of a pointing finger.

  The train was coming—an uptown train.

  Uptown, uptown! Now, now, now!

  The Genius swiftly snaked around the edge of the staircase. Here the narrow concrete platform measured no more than the length of two subway cars. At one end was a wall, at the other, the back of the staircase the Genius had just descended. Only commuters who wished to ride in the first two cars would wait here—riders like Valerie. She stood alone behind the staircase, hidden from the few other riders on the platform’s south end.

  The track curved a bit at this particular station, and the train could not be seen approaching unless the commuter leaned forward, peeking around the row of dull green vertical support beams. The Slut was doing just that—leaning a bit over the edge of the platform, watching the approach of her train. One hand held her bag of farmers market produce, the other her double tall cup of Village Blend coffee. No hand free—not to fight, not even to balance herself.

  The Genius stepped carefully behind the Slut, the mechanical junk-rumble of the coming train, like spare parts in a washing machine, drowning out any footsteps. This station was one of the loudest in the city—the decibel level making it impossible to hear conversation, maybe even screams. In another three seconds, the Genius would know for sure.

  One push. Timed just right. One simple push.

  As the red leather coat fell forward into the empty air, then down, toward the grimy tracks, the Genius did hear a scream. And finally there was red on the tracks. First one way. Then another.

  As the shriek of the victim was drowned out by the shriek of the R train’s brakes, the Genius backed into the shadows of the staircase, snaked around the corner, wandered back up, then through the turnstiles, and up once more, ascending into the invigorating chill of this brand new day.

  Finally, finally, that feeling of accomplishment. Objective achieved…and…time for that cappuccino!

  ONE

  “…AND he called to tell me it’s on the covers of both the Post and the Daily News. The cover story, Clare!”

  Sitting up in bed, I rubbed my eyes, trying to concentrate on the monologue percolating against my ear. But for a good two minutes (5:02 to 5:04 A.M. Eastern Standard Time to be precise), the only thing my mind clung to was the image of something dark, powerful, rich, and warm.

  No, this something did not have bedroom eyes, a Swiss bank account, and a heavy, sinewy frame depressing the other side of my mattress. As a perpetual single mother, I’d had nothing remotely like that on the other side of my mattress for years—sinewy or otherwise—just clean cotton sheets and a sour female cat.

  In point of fact, that dark, powerful, rich, and warm something I yearned for was a cup of Guatemala Antigua—one of those smooth, tangy coffees, like Costa Rican and Colombian, which would awaken my yawning palette with a full-bodied, slightly spicy flavor and bracing, rich acidity. (“Acidity” being the pleasant sharpness as the flavor finishes in the mouth, not to be confused with “bitterness,” but I’ll get to that later.)

  I sighed, almost smelling the earthy aroma of that first morning cup, tasting its nutty essence, feeling the shudder of radiant pleasure as the jolt of heat and caffeine seemed to flow directly into my veins.

  God I loved the morning ritual.

  My ex-husband, Matteo Allegro, used to say that abandoning the peace of sleep was only tolerable if a fresh pot of coffee were waiting. He and I never agreed on much. But we agreed on that.

  “It’s very upsetting, Clare. Not the image we want for the Blend. Don’t you agree?”

  The bright voice (displaying more than trace amounts acidity) on the other end of the phone line was finally penetrating my wake-up fog.

  “Madame, slow down,” I said, rising from a half-reclined to a fully upright and locked position. The bedroom’s silk drapes were pulled shut, but it being November, no light would be forthcoming even if they had been open. The break of dawn was over an hour away.

  “What is on the cover exactly?” I asked Madame through a yawn.

  “The Village Blend,”
repeated Madame. “It’s been mentioned in connection to—”

  I yawned again.

  “Clare, dear, did my call wake you? Why are you sleeping in?”

  I rubbed my eyes and glanced at the digital alarm clock. “I’m not sleeping in. I usually sleep until five thirty.”

  “With your bakery delivery at six?”

  Madame’s censuring tone was abundantly perceptible. But, because of my enormous respect for my eighty-year-old, French-born ex-mother-in-law, I remained only mildly irritated.

  It didn’t matter to me if the bakery delivery occurred at six every morning. All I had to do was roll out of bed, shower, throw on jeans and a sweater, and descend three floors. It wasn’t as if the coffeehouse was fifty miles away. The delivery would be made literally at my back door.

  Granted, that hadn’t always been my situation….

  Just a few months ago, I’d been raising my daughter in New Jersey, writing the occasional article for coffee trade magazines, a regular cooking tips column for a local paper, and working odd catering and child day care jobs to make ends meet when one morning Madame had called. She’d begged me to come back to the city and manage the Blend for her again as I’d done years before—when I’d been her daughter-in-law.

  I’d agreed, partly because my now grown daughter had just enrolled in a SoHo culinary school and managing the Blend meant I’d be in the next neighborhood instead of the next state. And partly because Madame’s generous contract afforded me increasing ownership of the Blend as time went on, which included the incredible duplex apartment above the two-floor coffeehouse itself.

  Who wouldn’t jump at the chance to one day own a historic townhouse, complete with a duplex filled with antique furnishings, Persian prayer rugs, framed Hoppers, and working fireplaces, in one of the most in-demand areas in Manhattan? Certainly not moi.

  “I’ve never missed a bakery delivery in all the years I’ve managed the place for you,” I assured her flatly, “and I’m not about to start this morning.”